Hirai Ken Sentimentalovers Rar Average ratng: 3,0/5 8977 reviews Ken Hirai 10th Anniversary Complete Single Collection '95-'05 'Utabaka' is 's first best album. It was released in two edition: a regular edition spawning all his singles on a two CD-set and a limited edition with the two CDs plus a DVD containing all the for the singles and a. Ken's bar sentimentalovers 10th anniversary complete single collection 'utabaka' single: why love or lust missin' u ookina furu tokei ring style hitomi wo tojite kimi wa tomodachi pop star DVD: ken hirai films vol.4 ken hirai films vol.8 poster: gainig thro losing,ken's bar/mtv unplugged, remixed up1 and sentimetalovers posters.

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• Hirai Ken Sentimentalovers Rarity
• Hirai Ken Sentimentalovers Rare
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Discography Studio albums 9 Compilation albums 2 Video albums 13 Singles 40 Tribute albums 3 Remix album 1 The discography of Japanese and singer consists of nine, two, one, three, thirteen and numerous singles and promotional singles. Hirai debuted as a musician under in 1995 with the single ', but found success five years later with the single ' and his third album,. Hirai's success continued through the 2000s, with the single 'Ōki na Furudokei' (2002), a Japanese-language version of ', a 1876 song by American composer, 'Hitomi o Tojite' (2004), the theme song for the film and ' (2005), the theme song of the -starring drama. In addition to his studio albums, Hirai has released a series of acoustic cover albums entitled Ken's Bar, named after a series of concept live concerts he performs.

Nov 23, 2014. (Re-Tagged) Single '瞳をとじて' by Ken Hirai, The main theme song of the Movie '世界の中心で, 愛をさけぶ' in 2004. 2 tracks Korean-remake song & ANRI's included~~~!! Ken Hirai - [2004] 瞳をとじて (Single) [320k] or MEGA 平井堅 01. DESPERADO 03.

Contents. Studio albums All release dates pertain to their release in Japan, unless stated. Sales provided by Oricon database and are rounded to the nearest thousand copies. The chart was established in 2010.

^ Week references for Gaon: Japanese Singer, Ura Utabaka, Ken's Bar III. The chart was established in July 2005 and only archives the top 20 releases. The East Asian chart is a sub-chart, so releases listed may not have charted on the main top 20. Position was taken from 2005 week 30 for Sentimentalovers, 2008 week 11 for Fakin' Pop, 2011 week 24 for Japanese Singer.

Gaining Through Losing received a 3× Platinum certification for 1,200,000 copies, however the 3× Platinum threshold was redefined as 750,000 copies in 2003. Position was taken from 2005 week 46 for Utabaka, 2010 week 46 for Ura Utabaka. Position was taken from 2009 week 25 for Ken's Bar II, 2014 week 45 for Ken's Bar III. The was established in February 2008.

Sources for chart positions are as follows: 'Canvas', 'Kimi wa Suteki', 'Itsuka Hanareru Hi ga Kite mo', 'Candy', 'Boku wa Kimi ni Koi o Suru', 'Sing Forever', 'Aishiteiru', 'Itoshiki Hibi yo', 'Kokuhaku', 'Kikyō ga Oka', 'Grotesque', 'Soredemo Shitai', 'Kimi no Kodō wa Kimi ni Shika Narasenai', 'Plus One', 'Time'. Position was taken from 2009 week 43 for 'Boku wa Kimi ni Koi o Suru', 2014 week 15 for 'Grotesque', 'Soredemo Shitai/Onnaji Samishisa'. Charted in 2008. Charted at number 65 on the Adult Alternative Airplay chart.

Sources for chart positions are as follows: 'Shashin', 'Stardust', 'Because of You', 'Love (Destiny)', 'Heart of Mine', 'Wakareuta'. Charted at number 17 on the Adult Alternative Airplay subchart, and at number 51 on the Hot Top Airplay chart. References.

^ Oricon Ranking Information Service 'You Big Tree'. Retrieved August 14, 2014. (Subscription required ( help)). ^ List of Ken Hirai's releases.

Retrieved August 14, 2014. Korea Music Content Industry Association. Retrieved July 18, 2014. Korea Music Content Industry Association. Retrieved August 14, 2014. Korea Music Content Industry Association.

Retrieved August 14, 2014. Korea Music Content Industry Association. Retrieved August 14, 2014. ^ (in Chinese). Archived from on December 2, 2008. Retrieved December 23, 2013. ^ (in Chinese).

Archived from on May 8, 2011. Retrieved June 4, 2014. Gold Albums, and other certified works. September 2000 Edition (PDF). The Record (Bulletin) (in Japanese).:. October 10, 2000. Archived from (PDF) on January 22, 2014.

Retrieved January 22, 2014. Gold Albums, and other certified works. August 2001 Edition (PDF). The Record (Bulletin) (in Japanese).:. October 10, 2001. Archived from (PDF) on June 23, 2011.

Retrieved January 22, 2014. Gold Albums, and other certified works. July 2001 Edition (PDF). The Record (Bulletin) (in Japanese).:. September 10, 2001.

Archived from (PDF) on March 8, 2012. Retrieved January 22, 2014. Works Receiving Certifications List (Gold, etc) (December 2004) (in Japanese). January 10, 2005. Retrieved February 15, 2014. Works Receiving Certifications List (Gold, etc) (November 2004) (in Japanese). December 10, 2004.

Retrieved December 23, 2013. Works Receiving Certifications List (Gold, etc) (March 2008) (in Japanese). April 10, 2008.

Retrieved December 31, 2013. Works Receiving Certifications List (Gold, etc) (June 2011) (in Japanese).

July 10, 2011. Retrieved December 23, 2013. Works Receiving Certifications List (Gold, etc) (December 2005) (in Japanese). January 10, 2006. Retrieved January 23, 2014.

Gold Albums, and other certified works. November 2001 Edition (PDF). The Record (Bulletin) (in Japanese).:. February 10, 2002.

Archived from (PDF) on January 22, 2014. Retrieved January 22, 2014. Korea Music Content Industry Association. Retrieved July 18, 2014. Works Receiving Certifications List (Gold, etc) (December 2003) (in Japanese). January 10, 2004. Retrieved February 15, 2014.

Works Receiving Certifications List (Gold, etc) (May 2009) (in Japanese). June 10, 2009. Retrieved March 5, 2014.

^ (in Japanese). (in Japanese). February 27, 2008. Retrieved August 14, 2014. (in Japanese). March 5, 2008. Retrieved August 14, 2014.

(in Japanese). Retrieved August 14, 2014. (in Japanese).

September 30, 2009. Retrieved August 14, 2014. (in Japanese).

October 29, 2009. Retrieved August 14, 2014. (in Japanese). October 20, 2010. Retrieved August 14, 2014. (in Japanese). November 17, 2010.

Retrieved August 14, 2014. (in Japanese).

May 11, 2011. Retrieved August 14, 2014.

(in Japanese). June 6, 2012.

Retrieved August 14, 2014. (in Japanese). October 31, 2013. Retrieved August 14, 2014.

(in Japanese). April 9, 2014. Retrieved August 14, 2014. (in Japanese). December 17, 2014. Retrieved December 17, 2014.

(in Japanese). August 12, 2015. Retrieved August 12, 2015. (in Japanese). June 6, 2016. Retrieved June 1, 2016. May 15, 2015.

Archived from on May 18, 2015. Retrieved October 17, 2015. ^ Gold Albums, and other certified works.

May 2000 Edition (PDF). The Record (Bulletin) (in Japanese).:. July 10, 2000. Archived from (PDF) on December 29, 2013. Retrieved January 17, 2014. (in Japanese). December 18, 2015.

Retrieved December 18, 2015. Gold Albums, and other certified works. October 2000 Edition (PDF). The Record (Bulletin) (in Japanese).:. December 10, 2000.

Archived from (PDF) on January 22, 2014. Retrieved January 22, 2014. Gold Albums, and other certified works. December 2000 Edition (PDF).

The Record (Bulletin) (in Japanese).:. February 10, 2001. Archived from (PDF) on January 16, 2014. Retrieved January 17, 2014. Gold Albums, and other certified works. February 2001 Edition (PDF). The Record (Bulletin) (in Japanese).:.

April 10, 2001. Archived from (PDF) on January 17, 2014. Retrieved January 17, 2014. Gold Albums, and other certified works. June 2001 Edition (PDF). The Record (Bulletin) (in Japanese).:. August 10, 2001.

Archived from (PDF) on November 3, 2013. Retrieved January 22, 2014. Gold Albums, and other certified works. January 2002 Edition (PDF). The Record (Bulletin) (in Japanese).:. March 10, 2002.

Archived from (PDF) on January 16, 2014. Retrieved January 22, 2014. ^ Gold Albums, and other certified works. December 2002 Edition (PDF). The Record (Bulletin) (in Japanese).:. February 10, 2003.

Archived from (PDF) on January 16, 2014. Retrieved January 17, 2014. ^ Works Receiving Gold Disc Certifications List (January to July 2003) (in Japanese). August 10, 2003.

Retrieved January 22, 2014. ^ Record Association Investigation: August Digital Music Download Certifications (in Japanese).

September 20, 2006. Retrieved January 23, 2014. Works Receiving Certifications List (Gold, etc) (July 2004) (in Japanese). August 10, 2004. Retrieved February 15, 2014. Record Association Investigation: July Digital Music Download Certifications (in Japanese).

August 20, 2012. Retrieved January 23, 2014.

Record Association Investigation: November Digital Music Download Certifications (in Japanese). December 20, 2007. Retrieved December 13, 2013. Works Receiving Certifications List (Gold, etc) (May 2004) (in Japanese). June 10, 2004. Retrieved January 22, 2014. Works Receiving Certifications List (Gold, etc) (October 2004) (in Japanese).

November 10, 2004. Retrieved January 23, 2014. ^ Record Association Investigation: January Digital Music Download Certifications (in Japanese).

Ken Hirai Life Is Rar

Hirai Ken Sentimentalovers Rar Download

February 28, 2014. Archived from on March 5, 2014. Retrieved March 4, 2014. (in Japanese).

March 26, 2008. Retrieved August 14, 2014.

Record Association Investigation: October Digital Music Download Certifications (in Japanese). November 20, 2009.

Retrieved June 10, 2014. Works Receiving Certifications List (Gold, etc) (November 2005) (in Japanese). December 10, 2005. Retrieved December 23, 2013. Works Receiving Certifications List (Gold, etc) (June 2006) (in Japanese). July 10, 2006.

Retrieved March 18, 2014. Record Association Investigation: July Digital Music Download Certifications (in Japanese). August 20, 2009. Retrieved January 26, 2014.

Works Receiving Certifications List (Gold, etc) (January 2007) (in Japanese). February 10, 2007. Retrieved January 26, 2014. Record Association Investigation: April Digital Music Download Certifications (in Japanese). May 20, 2011. Archived from on September 15, 2013.

Retrieved June 10, 2014. Works Receiving Certifications List (Gold, etc) (February 2007) (in Japanese). March 10, 2007.

Retrieved January 23, 2014. ^ Record Association Investigation: May Digital Music Download Certifications (in Japanese). June 20, 2008. Retrieved January 24, 2014. ^ Record Association Investigation: January Digital Music Download Certifications (in Japanese).

Hirai Ken Sentimentalovers Rarity

February 20, 2011. Retrieved February 8, 2014. Record Association Investigation: May Digital Music Download Certifications (in Japanese). June 20, 2014.

Retrieved June 20, 2014. (in Japanese). December 10, 2014. Retrieved December 10, 2014. (in Japanese). March 19, 2008. Retrieved August 14, 2014.

(in Japanese). June 3, 2009.

Hirai Ken Sentimentalovers Rare

Retrieved August 14, 2014. (in Japanese). June 24, 2009. Retrieved August 14, 2014.

(in Japanese). May 21, 2014. Retrieved August 14, 2014.

(in Japanese). May 21, 2014. Retrieved August 14, 2014.

'The Still Life' is Hirai Ken's first album in five years and I'm stating this like I listened to him back then. I know Ken in name but never gave his music the time of day until this year. I know he has had a time of popularity with a period of decline only to have Amuro Namie bring it back with the duet ' グロテスク'.

Amuro tends to do this a lot with artists that have fell in a rut.( Look how good Crystal Kay is doing after the single 'Revolution'.) This shows that Amuro cares more about a singers artistry than their popularity. I won't disagree with Miss Amuro as ' The Still Life' tries to pull out all of the chops of a well rounded musician. The variety of music styles on this album is insane. I'm not sure if Hirai dabbled in this many musical styles before but he sure didn't waste any time here.

Ken Hirai Sentimental Lovers Rar

Hirai Ken Sentimentalovers Rarest

You would expect a ballad a when looking at Ken Hirai but he is deemed an RnB singer. Did he use to do RnB? I really can't see it even as he tries to sings soulful inspired songs. He just doesn't give off that vibe to me. Now, he can sing some good ballads and the extra sounds of different insterments added in mass me think of the traditional culture of japan. That rich culture filled with emotion and delicateness. Other music styles are thrown in the mix such as rock and swing.

Who knows where swing came from. Any trick in the book to make you seem more appealing to the masses. Swing is not his style especially with the cute side affect producers tried to put on the song. The rock inspired track was also a mess. The beginning made me have a little light of hope for some thing to remember from this album but the end result was a lot of different ideas strung together inconstantly.

Hirai Ken Japanese Singer Rar

The best moments in 'The Still Life' were some of the ballads and the duet with Amuro Namie. This duet brings Hiriai out of his element since we all know most Namie Amuro collaborations are songs set in the style that she can sing by herself. I hoped that this style would have stuck with Ken Hirai to the point that tis due would have bursted out dancing to a whole new dance pop version of hisself. Intead listeners are left with tracks like 'Plus One' that are likable but not good enough to save this album from sinking to the darkest corners of the Oricon chart. I'm just playing around with you guys. 'The Still Life' got the number eight spot which is pretty good.

Top ten is always good for albums or singles. Hirai Ken's vocals are good for some music styles and bad for others. He has a stand alone voice that doesnt sound like any other japanese singer but it's also not a mind blowing strong voice. This was the reason why I couldn't understand why producers didn't stick to one music style on 'The Still Life' instead of doing a whole bunch of styles. Fifteen tracks is too much for an album that doesn't do everything in its power to stay fresh for the listener. Anyone would get tired after awhile of listening to an album jump back and forth between styles with no real musical improvement.

His vocals are light with a high pitched quality to the overal sound. A sound perfect for ballads and smooth sailing pop songs but that's it. If anyone reading this has heard other songs by Ken then please recommend them to me. I want to believe that he has better songs/ albums in his discography.